Most kids love to cook. Once when I was a Cub Scout den mother, I asked the boys whether they would rather do a science experiment or cook something–cooking won by a landslide. This recipe for Chocolate Swirl Bars meets the kid-friendly test. The measurements allow you to work a bit on math if you want. Relatively few ingredients means it is easy to mix up. And best of all, they LOVE the action of swirling the chocolate into the peanut butter dough.
Bar cookies with peanut butter and chocolate chips.
Note: If you’re making chocolate swirl bars with grandchildren or a group of kids, be sure to check for peanut allergies before you start. Unfortunately, one of my grandsons and one of my great-grandsons would be unable to eat these.
I know they are popular with kids, because my youngest son started making them when he was in eighth grade. He liked making the chocolate swirl bars, and turned it into a business. We discussed the cost of the ingredients, which he had to figure out and then return to me from his earnings.
The inspiration for starting a business could have come from Junior Achievement–a school program that helped kids in high school start their own business. His older son had quite a company going, supervising a group of kids who made macrame’ plant hangers back when macrame’ was all the rage.
At the time, my husband also acted as an advisor for a J.A. group at another high school. I still have a spatter guard for a skillet and a hamburger press, both made by teens, as reminders of those projects.
But COOKIES! A much better business, in my humble opinion.
My son baked a batch and took small samples of the cookies door to door in our neighborhood, fed them to the neighbors and took orders for a dozen cookies. I don’t know how long before his interest flagged, but it may very well have been the beginning of a lasting talent in salesmanship.
Whether you cook them yourself, or find some kids to do the baking, you’ll find that the only problem with these chocolate swirl bars is waiting until they are cool enough to come out of the pan. The smell is heavenly. The taste likewise. Can you eat just one?
Today a program on Public Radio featured this year’s nominees for the Grammys. Nothing makes me feel older and more out of it, than hearing the names of wildly popular, hot new musicians. I realize I don’t have a clue who they are or what type of music they produce.
But I pulled myself out of my funk by realizing that for all my ignorance of contemporary music, my children and grandchildren probably are similarly clueless. What do they know about the music of my youth? Yes, there was music before MP3, streaming, or even before CDs!
My Parents Music
As a child, the cheerful nonsense verse of the Depression and World War II hung on, and I would sing “Marzy doats and Dozy coatsand Little Lambseativy” with my father, giggling all the way. (Trans.: Mares eat oats and does eat oats and little lambs eat ivy).
Growing up I learned to love my parents’ eclectic set of 78 rpm record albums. As a teen, I added my own more modern music, but never lost my appreciation for the records of my parents and never looked down on their choices–most of their choices, at least.
Poster for Gilbert and Sullivan’s ‘Patience.’
For instance, Mom and Dad had several Gilbert and Sullivan operettas. To this day, I love the word play and can sing along with many of the songs.
“I am the very model of a modern Major-General, I’ve information vegetable, animal, and mineral,”
They also had various classical albums that I remember listening to while I was in grade school. My father took me to see José Iturbi, Spanish pianist in a Columbus Ohio concert when I was about ten. I was as star-struck as my grand-daughter might be going to a Beyoncé concert.
Side Note: In the 1940s through 1960s, people still considered music education an essential part of a child’s growing up, and everyone I knew took piano lessons if their parents could afford it. Likewise, although I went to a tiny high school, we had a school band, a boy’s chorus, a girl’s chorus and a mixed chorus.
Nelson Eddy and Jeanette MacDonald in movie “Sweethearts”
The operettas sung by Jeanette MacDonald and Nelson Eddy (and anything that Victor Herbert wrote) stole the hearts of Americans in the late 1920s through the 1940s, and my parents owned those records, too. I drew the line at the syrupy songs of that period.
When I was in college, I know that my parents had quite a few albums of jazz, but I was too busy with college to pay attention to exactly which ones they had. But I do know that when I got married, an album by Dave Brubeck was the one of the first to be added to my own collection, and I have been a lifelong fan of all jazz.
The exception to accepting rather than disdaining my parent’s musical choices (Besides MacDonald and Eddy) would be the old folks’ Saturday night viewing of Lawrence Welk playing polkas and oldies. I did agree on one of the family’s favorite entertainers from that period, Victor Borge. He never failed to crack us up, while providing a fresh look at the classics. And Grandma (and everybody) loved Liberace, who sold classical music by mixing it with plenty of kitsch.
Although future generations may have heard of some of the musicians I name in this article, I probably can stump them with my Junior High hearthrob. I fell hard for a singer named Johnnie Ray. He was known for singing sad songs–“Cry Me a River,” “The Little White Cloud that Cried,” and the very romantic “Walking My Baby Back Home.”
Ironically, since I was not a big fan of Rock ‘n Roll, many, including Tony Bennett, have said that Johnnie Ray was a precursor of Rock and Roll. Even Ringo Starr reportedly said that the three singers the Beatles listened to early on included Johnnie Ray!
Totally star-struck, I attended a live concert by Johnnie Ray in Cleveland in 1952 and joined his International Fan Club. The crowds of squealing girls who greeted him echoed the earlier Frank Sinatra sensation and the later Elvis and Beatles mania. My attempt to start a fan club in Killbuck, Ohio didn’t catch fire, but I collected various fan memorabilia and mooned over Johnnie for a couple of years.
My Teen Years
Every generation finds a particular music that forms the soundtrack for its high school years. In their adulthood, that music generates nostalgia. My generation–the early to mid-1950s–saw a radical shift from the mellow crooning of Frank Sinatra, Bing Crosby, Eddie Fisher, Patti Paige, Rosemary Clooney and others to the electricity of Elvis Presley and the birth of Rock ‘n Roll.
I distinctly remember Rock Around the Clock (1954) by Bill Haley and the Comets and Fats Domino’s Blueberry Hill (1956). I had the sensation that pieces of music like these would change the whole musical world. And they did. Besides, in northeastern Ohio, we were close to the source of the excitement. Disk Jockey Alan Freed from Cleveland gets credit for being the first to feature and promote the new form–Rock and Roll. Of course it helped that parents thought it was despicable and dangerous music.
Not so incidentally, we knew what songs we should be listening to by listening on the radio and watching on TV (1950-1959)– “Your Hit Parade.” (The Grammys did not exist until 1959) The Wikipedia article on the Hit Parade refreshed my memory about some of the musicians, but it does not mention Rosemary Clooney, who along with Giselle MacKenzie is the one I remember the most.
Elvis Presley became the heart-throb of my high school girlfriends. Elvis’ first big hit, Heartbreak Hotel dominated the airwaves in January of 1956, the year that we graduated from high school. Some of my friends no doubt dreamed of Elvis as their date for the prom. After all, at just 3 or 4 years older than us, he understood our generation.
Confession time: I never liked Elvis, and I never became a big fan of Rock. When I whined to a friend that I wanted to listen to meaningful lyrics and hear a tune, she replied that she wanted something she could dance to.
In another conversation with friends, we argued about Patti Page. He thought her music excelled. I judged her based on a nonsense song, “How Much Is That Doggy In the Window.” It must have been the country edge to her songs. Peggy Lee’s bluesy jazz appealed to me more.
The music world was moving to Rock ‘n Roll. Nevertheless, some of the earlier stars continued to have hit songs and from the fifties into the sixties, we (some of us at any rate) continued to listen to the gentler styling of Doris Day, Johnny Mathis, Rosemary Clooney, Patti Page, Dean Martin, ‘Frankie,’ Perry Como. The choral music of Mitch Miller was also popular in the 50s and 60s–although not so much with the youngsters. You could find a variety show with popular musicians nearly every night of the week on television. TV introduced new musicians, and radio disk jockies helped popularize them. Ed Sullivan introduced Elvis Presley to the nation, and later introduced the Beatles. But as Rock prevailed, live concerts became more important than TV as a medium for artists.
So, even though I may not know who the Grammys are going to in 2017, I definitely could have told you in 1954 who would be on Your Hit Parade that week. I collected 45 rpm records–little disks about the size of today’s CDs. With high school graduation money, I purchased a portable 45-record player to take to college with me. It, and the 45s I played on it–Eddie Fisher, Johnny Mathis, etc.–are long gone. But whenever I hear “Walking My Baby Back Home”, or “How Much is That Doggie in the Window”, I will remember those days.
I grew up in Northeastern Ohio in a small town called Killbuck. Back in the day, on a long summer evening you could walk through town and hear play by play of the Cleveland Indians game. No, we did not have Walkmans or I-Pads.
People would leave the screen door open, or maybe have the windows up as they sat on their porch swings, listening to the Cleveland Indians game on the radio. And since EVERYBODY was listening to the game, you could walk all the way through town and never miss a play. Bob Feller was a god.
When the Indians weren’t playing, we’d go up on school house hill and watch the town men and boys playing baseball on a sandlot beside the high school. Since we lived catty-corner across from the lot, we couldn’t resist crossing the road to the ball field. Besides, everybody in town was there.
The elementary school was built on the spot in 1953, and the ball field moved farther behind the school. I remember the bleachers and I remember that someone was selling snacks. Although I have no idea who sold the snacks, I would wheedle a quarter out of my Uncle Bill Anderson so I could buy a candy bar.
Summer evenings meant singing “Take Me Out to the Ball Game,” joining in cries of “We wuz robbed” and “kill the ump”, breathing in the soft, warm dusty air, and catching up on town gossip. The men retired to their cars to grab a beer in between innings, and played until the air turned cool, the crickets chirped and the stars came out. Baseball didn’t just belong to the Big Leagues, but the Indians mania was strong in the ten-year stretch from 1947 to 1956 all over Ohio.
When the Cleveland Indians made it into the playoffs, we could shuffle through the brightly colored oak and maple and elm leaves as we strolled down the sidewalk, listening to other people’s radios. Even when my family moved too Columbus for a couple of years, the magic wove its spell.
I still remember the pudgy, blond math teacher I had in fifth grade in a Columbus Ohio school and his radio. He had a glassed-in office at the back of his classroom, and when the Indians made the World Series in 1948 (the last time they WON a series), he even let the kids forget about multiplication tables and cluster around his radio. ‘It’s history!’ He explained. Little did he know!
For a ten-year stretch, there, the Cleveland Indians won more games than they lost every year. Then I graduated high school and moved back to Columbus for college and Buckeyes’ football. My sister reminds me that during that period, my father used to say, “The Indians never win a game after the 4th of July.”